Yamaha psr 270 инструкция на русском

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SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter).
DO NOT connect this product to any power supply or adapter other
than one described in the manual, on the name plate, or specifically
recommended by Yamaha.

This product should be used only with the components supplied or; a
cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is
used, please observe all safety markings and instructions that accom­pany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the
time of printing. However, Yamaha reserves the right to change or
modify any of the specifications without notice or obligation to update
existing units.

This product, either alone or in combination with an amplifier and head­phones or speaker/s, may be capable of producing sound levels that
could cause permanent hearing loss. DO NOT operate for long periods
of time at a high volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you should consult
an audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not
covered by the manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your
dealer before requesting service.

ENVIRONMENT AL ISSUES:

Yamaha strives to produce products that are both user safe and envi­ronmentally friendly. We sincerely believe that our products and the
production methods used to produce them, meet these goals. In keep­ing with both the letter and the spirit of the law, we want you to be
aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of

battery is approximately five years. When replacement becomes
necessary, contact a qualified service representative to perform the
replacement.

This product may also use “household” type batteries. Some of these
may be rechargeable. Make sure that the battery being charged is a
rechargeable type and that the charger is intended for the battery
being charged.

When installing batteries, do not mix batteries with new, or with batter­ies of a different type. Batteries MUST be installed correctly. Mis­matches or incorrect installation may result in overheating and battery
case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all
batteries away from children. Dispose of used batteries promptly and
as regulated by the laws in your area. Note: Check with any retailer of
household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some
reason its useful life is considered to be at an end, please observe all
local, state, and federal regulations that relate to the disposal of prod­ucts that contain lead, batteries, plastics, etc. If your dealer is unable
to assist you, please contact Yamaha directly.

NAME PLATE LOCA TION:

The name plate is located on the bottom of the product. The model
number, serial number, power requirements, etc., are located on this
plate. You should record the model number, serial number, and the
date of purchase in the spaces provided below and retain this manual
as a permanent record of your purchase.

Model

Serial No.

Purchase Date

92-BP (bottom)

PLEASE KEEP THIS MANUAL

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con­tained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted
by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with

the requirements listed in FCC Regulations, Part 15 for Class “B”
digital devices. Compliance with these requirements provides a
reasonable level of assurance that your use of this product in a
residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio
frequencies and, if not installed and used according to the instruc­tions found in the users manual, may cause interference harmful
to the operation of other electronic devices. Compliance with FCC

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

Entsorgung leerer Batterien (nur innerhalb Deutschlands)

Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer
Sammelstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren Sie sich bei Ihrer Kommune.

regulations does not guarantee that interference will not occur in
all installations. If this product is found to be the source of inter­ference, which can be determined by turning the unit “OFF” and
“ON”, please try to eliminate the problem by using one of the
following measures:

Relocate either this product or the device that is being affected by
the interference.

Utilize power outlets that are on different branch (circuit breaker
or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the an­tenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type
of product. If you can not locate the appropriate retailer, please
contact Yamaha Corporation of America, Electronic Service Divi­sion, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed
by Yamaha Corporation of America or its subsidiaries.

(class B)

(battery)

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PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,
short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble the internal parts
or modify them in any way. The instrument contains no user-serviceable
parts. If it should appear to be malfunctioning, discontinue use immedi­ately and have it inspected by qualified Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill
into any openings.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is
a sudden loss of sound during use of the instrument, or if any unusual
smells or smoke should appear to be caused by it, immediately turn off

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:

the power switch, disconnect the adaptor plug from the outlet, and have
the instrument inspected by qualified Yamaha service personnel.

• Use the specified adaptor (PA-3B or an equivalent recommended by
Yamaha) only. Using the wrong adaptor can result in damage to the in­strument or overheating.

• Before cleaning the instrument, always remove the electric plug from the
outlet. Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which
may have accumulated on it.

• Do not place the AC adaptor cord near heat sources such as heaters or
radiators, and do not excessively bend or otherwise damage the cord,
place heavy objects on it, or place it in a position where anyone could
walk on, trip over, or roll anything over it.

• When removing the electric plug from the instrument or an outlet, always
hold the plug itself and not the cord.

• Do not connect the instrument to an electrical outlet using a multiple­connector. Doing so can result in lower sound quality, or possibly cause
overheating in the outlet.

• Unplug the AC power adaptor when not using the instrument, or during
electrical storms.

• Always make sure all batteries are inserted in conformity with the +/­polarity markings. Failure to do so might result in overheating, fire, or
battery fluid leakage.

• Always replace all batteries at the same time. Do not use new batteries
together with old ones. Also, do not mix battery types, such as alkaline
batteries with manganese batteries, or batteries from different makers, or
different types of batteries from the same maker, since this can cause
overheating, fire, or battery fluid leakage.

• Do not dispose of batteries in fire.

• Do not attempt to recharge batteries that are not intended to be charged.

• If the instrument is not to be in use for a long time, remove the batteries
from it, in order to prevent possible fluid leakage from the battery.

• Keep batteries away from children.

• Before connecting the instrument to other electronic components, turn off
the power for all components. Before turning the power on or off for all
components, set all volume levels to minimum.

• Do not expose the instrument to excessive dust or vibrations, or extreme
cold or heat (such as in direct sunlight, near a heater, or in a car during the
day) to prevent the possibility of panel disfiguration or damage to the
internal components.

• Do not use the instrument near other electrical products such as televi­sions, radios, or speakers, since this might cause interference which can
affect proper operation of the other products.

• Do not place the instrument in an unstable position where it might acci­dentally fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint
thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Also, do not place vinyl, plastic or rubber objects on the instrument, since
this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and
do not use excessive force on the buttons, switches or connectors.

• Use only the stand/rack specified for the instrument. When attaching the
stand or rack, use the provided screws only. Failure to do so could cause
damage to the internal components or result in the instrument falling over.

• Do not operate the instrument for a long period of time at a high or uncom­fortable volume level, since this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears, consult a physician.

■SAVING USER DATA

• Save all data to an external device such as the Yamaha MIDI Data Filer
MDF3, in order to help prevent the loss of important data due to a mal­function or user operating error.

Yamaha cannot be held responsible for damage caused by improper use or modi­fications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

Make sure to discard used batteries according to local regulations.

* The illustrations and LCD screens as shown in this owner’s manual are for in-

structional purposes only, and may be different from the ones on your instru­ment.

(4)-3

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Congratulations on your purchase of the Yamaha

PSR-270 PortaTone!

You now own a portable keyboard that combines advanced func-

tions, great sound and exceptional ease-of-use in a highly compact

package. Its outstanding features also make it a remarkably ex-

pressive and versatile instrument.

Read this Owner’s Manual carefully while playing your new

PortaTone in order to take full advantage of its various features.

Main Features

The PSR-270 is a sophisticated yet easy-to-use keyboard
with the following features and functions:

Yamaha Education Suite

………………………………………… Pages 60-71

The PortaTone features the new Yamaha Education
Suite — a set of learning tools that utilize the latest
technology to make studying and practicing music
more fun and fulfilling than ever before!

The Yamaha Education Suite includes:

Chord Guide functions in the Style mode —
Smart and Dictionary — that make it exceptionally
easy to learn chords and chord relationships.
There’s also a powerful EZ Chord function that lets
you easily record and play back chord progressions.

• Smart lets you easily play harmonically “correct”
chord progressions for whatever key you specify. It’s
great for learning — and performing!

• Dictionary is a built-in “chord encyclopedia” that
teaches you how to play specific chords. You type
in the chord name, and the PortaTone shows you
which notes to play!

• EZ Chord is a powerful and simple way to pro­gram and play chord progressions. Record all the
chord changes you need for a song, then play back
the chords one after another by simply playing a
single key!

Portable Grand……………………….Page 24

The PortaTone also has a Portable Grand function for
realistic piano performance. Pressing the PORTABLE
GRAND button instantly calls up the stunningly
authentic “Stereo Sampled Piano” voice and configures
the entire PortaTone for optimum piano play. Special
Pianist styles — with piano-only accompaniment — are
also provided.

Other powerful features include:

• Exceptionally realistic and dynamic sounds with 100

voices, utilizing digital recordings of actual instruments.

• Dual voice and Split voice modes that let you layer two

voices together or assign two voices to separate sections of
the keyboard

• Four high-quality effects — Reverb, Chorus, DSP, and

Harmony — each with a variety of different types.

• 100 auto accompaniment styles, each with different

Intro, Main A and B, and Ending sections. All styles
(except for the Pianist styles) also have their own four Fill­in patterns. The PortaTone also gives you convenient
control over accompaniment Styles — including Tempo
and independent Accompaniment Volume.

• Powerful song recording operations for recording and

playing back complete compositions (three User songs are
available). Up to six tracks can be recorded to a song,
including a special chord track for style accompaniment.

• One Touch Setting (OTS), for automatically calling up an

appropriate voice for playing with the selected style. Plus,
there are 16 User OTS memory spaces that let you save
your custom panel settings for instant recall.

• Touch response (with front panel on/off switch) for

maximum expressive level control over the voices. This
also works in conjunction with the Dynamic Filter, which
dynamically adjusts the timbre or tone of a voice accord­ing to your playing strength — just a like a real musical
instrument!

• Convenient footswitch control over various functions —

including sustain, start/stop, and more.

• GM (General MIDI) compatibility and full GM voice set.

• Large custom LCD (backlit) gives you easy, at-a-glance

confirmation of all important settings, as well as chord and
note indications.

• Comprehensive MIDI functions that let you integrate the

PortaTone into a MIDI music system, for sequence record­ing and other advanced applications.

• Built-in, high-quality stereo amplifier/speaker system.

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Contents

PANEL CONTROLS AND
TERMINALS 6

• Front Panel …………………………. 6

• Rear Panel ………………………….. 7

SETTING UP 8

POWER REQUIREMENTS …………….. 8

TURNING ON THE POWER …………. 8

ACCESSORY JACKS ……………………. 9

Quick Guide —
How to Use Your New
PSR-270 PortaTone 10

Step 1 Voices ……………………….. 10

Step 2 Auto Accompaniment …. 12

Step 3 Chord Guide ……………… 14

Step 4 Songs ……………………….. 16

Step 5 Function Parameters …… 18

Step 6 MIDI …………………………. 20

PANEL DISPLAY INDICATIONS

• Music Stand ……………………… 23

22

PORTABLE GRAND 24

PLAYING THE PORTABLE GRAND .. 24

USING THE METRONOME ………….. 24

• Setting the Metronome

Time Signature ………………….. 25

• Adjusting the Metronome

Volume …………………………….. 26

PLAYING VOICES —
THE VOICE MODE 27

PLAYING A VOICE — MAIN VOICE 27

• About Panel Voices and

GM Voices ………………………… 29

• Drum Kit Voice Chart

(voices 101 — 110) ……………… 30

Function Parameters — Main Voice

TRANSPOSE AND TUNING …………. 32

Transpose ……………………………… 32

Tuning ………………………………….. 33

PLAYING TWO VOICES —

DUAL VOICE …………………………….. 34

Function Parameters — Dual Voice

PLAYING TWO VOICES —

SPLIT VOICE ……………………………… 36

Function Parameters — Split Voice 37

ADDITIONAL VOICE
FUNCTIONS — VOICE SET AND

TOUCH SENSITIVITY …………………. 38

Function Parameters —

Voice Set and Touch Sensitivity ….. 39

30

35

EFFECTS 40

REVERB …………………………………….. 40

CHORUS …………………………………… 41

DSP …………………………………………. 42

HARMONY ……………………………….. 43

Function Parameters — Effects …… 44

• Effect Types ………………………. 45

AUTO ACCOMPANIMENT —
THE STYLE MODE 47

SELECTING A STYLE AND
PLAYING THE ACCOMPANIMENT ..47

ACCOMPANIMENT CONTROLS ….. 52

USING THE AUTO

ACCOMPANIMENT FEATURES …….. 52

CHANGING THE TEMPO ……………. 53

ACCOMPANIMENT SECTIONS
(MAIN A, MAIN B AND FILL-INS) …54

ADJUSTING THE

ACCOMPANIMENT VOLUME ……… 55

USING AUTO ACCOMPANIMENT —

MULTI FINGERING …………………….. 56

Single Finger Chords ……………… 56

Fingered Chords ……………………. 56

SETTING THE ACCOMPANIMENT

SPLIT POINT …………………………….. 58

Function Parameter —

Accompaniment Split Point ………. 59

WHAT IS A CHORD? ………………….. 60

WRITING CHORD NAMES ………….. 61

The Intervals of the Scale ……….. 61

Other Chords ………………………… 61

CHORD GUIDE ………………………….. 62

Dictionary …………………………….. 62

Smart ……………………………………. 64

• Smart Chord List ……………….. 65

EZ Chord ………………………………. 66

EZ Chord — Playback ………………. 66

• Bank Chain ……………………….. 67

EZ Chord — Recording ……………..68

• Recording a Space……………… 69

• Playing the Accompaniment
During EZ Chord Recording … 69

• HINT — Using Spaces…………. 70

Clearing an EZ Chord Bank ……….. 71

ONE TOUCH SETTING (OTS) 72

ONE TOUCH SETTING — USER …… 72

Recording a User One Touch

Setting ………………………………….. 72

Recalling a User One Touch Setting

• Selecting a User Bank …………. 73

ONE TOUCH SETTING — PRESET … 74

Selecting a Preset One Touch

Setting ………………………………….. 74

73

SELECTING AND PLAYING
SONGS — THE SONG MODE 75

SELECTING AND PLAYING A SONG

CHANGING THE TEMPO ……………. 76

ABOUT THE BEAT DISPLAY …………. 77

ADJUSTING THE SONG VOLUME … 78

75

SONG RECORDING 79

RECORDING A USER SONG —

REALTIME RECORDING ……………… 80

• Using the Metronome ………… 81

• Additional Operations ………… 83

RECORDING A USER SONG —

STEP RECORDING ……………………… 84

Recording Notes ……………………… 85

• Additional Operations ………… 87

Replacing a Note or Rest ………….. 88

Entering Velocity Curves …………… 89

• Velocity Curve Chart…………… 89

CLEARING A SONG ……………………. 90

FOOTSWITCH 91

• Footswitch Assign Functions … 92

MIDI FUNCTIONS 93

WHAT IS MIDI? …………………………. 93

Channel Messages …………………… 94

System Messages …………………….. 94

• MIDI Terminals ………………….. 94

CONNECTING TO A PERSONAL

COMPUTER ………………………………. 95

FUNCTION PARAMETERS — MIDI .. 96

USING BULK DUMP SEND

TO SAVE DATA ………………………….. 99

Saving Bulk Data …………………….. 99

Loading Bulk Data …………………. 101

USING INITIAL SETUP SEND

WITH A SEQUENCER ……………….. 102

Sending Initial Setup Data ………. 102

TROUBLESHOOTING ……………….. 104

DATA BACKUP & INITIALIZATION 105

SPECIFICATIONS ……………………… 106

SONG SCORES

(EZ Chord banks 1, 2) ………………. 107

VOICE LIST ……………………………… 108

STYLE LIST ……………………………… 111

DRUM KIT LIST ……………………….. 112

MIDI IMPLEMENTATION CHART .. 114

INDEX ……………………………………. 117

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PANEL CONTROLS AND TERMINALS

Front Panel

8BEAT

16BEAT

6/8 BALLAD

DANCE

DISCO

ROCK & ROLL

RHYTHM & BLUES

CONTEMPORARY JAZZ

TRADITIONAL JAZZ

COUNTRY & WESTERN

BALLROOM LATIN

BALLROOM STANDARD

MARCH & WALTZ

547

46 51 53

2483

ROCK-A-BALLAD

8BEAT
SWING

LATIN

CARIBBEAN

JAZZ BALLAD

2BEAT
BOOGIE
RAGTIME

ARPEGGIO

WALTZ

MAIN VOICE

DUAL VOICE

SPLIT VOICE

ONE TOUCH SETTING

HAPPY

EFFECT

ROCK

AMERICAS

쐃

MIN MAX

50

49 55 70 71 74 81

52

2

3

L H

STYLE

SONG

54

UTILITY

쐇

MIDI

쐅

쐈

ACMP

SYNC-

ON/OFF

START

56 58 59

L

TEMPO

TRANSPOSE

TUNING

ACMP/SONG

VOLUME

METRONOME

VOLUME

쐉

START/

STOP

57

씉

씈

MAINAB

INTRO/

rit.

AUTO FILL

ENDING

(9)

6 mM7 M7

M

M

M

C

60

L

H

R

61

62

H

1

1

쐃 MASTER VOLUME dial

This determines the overall volume of the
PortaTone.

쐇 OVERALL buttons (

These are for selecting the various “overall”
functions and setting their values. (See pages
22, 24.)

▲, ▼

, +, -)

VOICE

STYLE

001

MEASURE

TEMPO

001 116

쐏

씊 씋

DICTIONARY
SMART
EZ

CHORD

OFF

GUIDE

m m(9)

64

63

65

R

PIANO
MALLET

ORGAN

GUITAR

BASS

ENSEMBLE

STRINGS

BRASS

REED

PIPE

SYNTH LEAD

SYNTH PAD

DRUM KITS

DUALREVERB

aug

7aug

7sus4 Csus4 C /D D /ED

80 85

H L

82 83H84

GrandPno

쐄 쐂쐋

RECORD

(9)

m7 m7 5m67

m7

C

67

66

69

68

S

2

씌

SONG TRACK

쐆

TOUCH

쐊 쐎

PRESETUSER

6~16

45321

)

( 9)7(9)7(

9

R

72

H

2

( 13)

7

7

73

L

씎 씏

METRO-

NOME

HARMONY

씍

)

( 11)

7(13

7

dim7 dim

75H76L77H78L79

• Setting the time signature for the Metro­nome (page 25)

• Setting the key signature for the Smart
Chord function (page 64)

쐊 PORTABLE GRAND button

This instantly changes to the Voice mode and
calls up the Grand Piano voice. (See page 24.)

GUITAR

BASS

STRINGS

ENSEMBLE

BRASS

REED

PIPE

SYNTH LEAD

SYNTH PAD

SYNTH EFFECTS

ETHNIC

PERCUSSIVE

SOUND EFFECTS

L

PIANO

CHROMATIC

ORGAN

86

쐋 FUNCTION button

This selects the Function mode. (See page 18.)

쐏 SONG button

This selects the Song mode. (See pages 16, 75.)

쐄 STYLE button

This selects the Style mode. (See pages 12, 47.)

쐂 VOICE button

This selects the Voice mode. (See pages 10, 27.)

쐆 Numeric keypad, +/- buttons

These are for selecting songs, voices, and styles.
(See pages 28, 47, and 76.) They are also used
for making various settings, such as:

• Selecting and changing the Function
parameters (page 18)

• Setting note values and other settings for
the Step Record function (page 85)

쐎 METRONOME button

This turns the metronome on and off. (See page

24.)

쐅 ACMP ON/OFF button

When the Style mode is selected, this turns the
auto accompaniment on and off. (See page 52.)
This button has no function in the Song Play
mode.

쐈 SYNC-START button

This turns the Sync-Start function on and off.
(See page 48.)

쐉 START/STOP button

When the Style mode is selected, this alternately
starts and stops the auto accompaniment. (See
page 48.) In the Song mode, this alternately
starts and stops song playback. (See page 76.)

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PANEL CONTROLS AND TERMINALS

씈 INTRO/ENDING button

When the Style mode is selected, this is used to
control the Intro and Ending functions. (See
pages 49, 51.)

씉 MAIN A/B (AUTO FILL) buttons

When the Style mode is selected, these are used
to change auto accompaniment sections and
control the Auto Fill function. (See page 54.)

씊 CHORD GUIDE button

When the Style mode is selected, this is used to
control the Chord Guide functions. (See page

62.)

씋 RECORD button

This is used for selecting and enabling the
recording functions: Song (pages 80, 84), EZ
Chord (page 68), and One Touch Setting (page

72).

씌 ONE TOUCH SETTING / SONG MEMORY

buttons

When the Style mode is selected, these are used

to select the One Touch Setting registrations
(page 73). When the Song mode is selected,
these are used to select specific tracks (pages 81,

85).

씍 HARMONY button

This turns the Harmony effect on and off. (See
page 43.)

씎 REVERB button

This turns the Reverb effect on and off. (See
page 40.)

씏 DUAL button

This turns the Dual mode on and off. (See page

34.)

TOUCH button

This turns the Touch function on and off. (See
page 38.)

Power switch (STANDBY/ON)

DEMO button

This is used to play the Demo songs. (See page

16.)

Rear Panel

쐃 쐇

DC IN 10-12V

PHONES/
OUTPUT

쐃 DC IN 10-12V jack

This is for connection to a PA-3B AC power
adaptor. (See page 8.)

쐇 PHONES/OUTPUT jack

This is for connection to a set of stereo head­phones or to an external amplifier/speaker
system. (See page 9.)

쐋

FOOT SWITCH

쐏

MIDI

IN OUT

쐋 FOOT SWITCH jack

This is for connection to an optional FC4 or FC5
Footswitch. The footswitch is generally used to
control sustain, but it can conveniently be set to
control one of a variety of functions instead.
(See pages 9, 91.)

쐏 MIDI IN, OUT terminals

These are for connection to other MIDI instru­ments and devices. (See page 94.)

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SETTING UP

This section contains information about setting up your PortaTone for playing.
Make sure to read this section carefully before using the instrument.

POWER REQUIREMENTS

Although the PSR-270 will run either from an
optional AC adaptor or batteries, Yamaha rec­ommends use of an AC adaptor whenever
possible. An AC adaptor is more environmen­tally friendly than batteries and does not deplete
resources.

Never interrupt the power supply (e.g. remove the batteries or
unplug the AC adaptor) during any PSR-270 record operation!
Doing so can result in a loss of data.

Using an AC Power Adaptor

To connect your PortaTone to a wall socket, you
will need the optionally available Yamaha PA-3B
Power Adaptor. Use of other AC adaptors could
result in damage to the instrument, so be sure to
ask for the right kind. Connect one end of the
adaptor to the DC IN 10-12V jack on the rear
panel of your PortaTone, and the other end to a
suitable electrical outlet.

• Use ONLY a Yamaha PA-3B AC Power Adaptor (or other
adaptor specifically recommended by Yamaha) to power your
instrument from the AC mains. The use of other adaptors may
result in irreparable damage to both the adaptor and the PSR-

270.

• Unplug the AC Power Adaptor when not using the PSR-270,
or during electrical storms.

BATTERIES 1.5V x 6

■ When the Batteries Run Down

When the batteries run low and the battery
voltage drops below a certain level, the
PortaTone may not sound or function properly.
As soon as this happens, replace them with a
complete set of six new batteries.

• Never mix old and new batteries or different types of
batteries (e.g., alkaline and manganese).

• To prevent possible damage from battery leakage, remove
the batteries from the instrument if it is not to be used for a
long time.

TURNING ON THE POWER

With the AC power adaptor connected or with
batteries installed, simply press the power switch
until it locks in the ON position. When the
instrument is not in use, be sure to turn the
power off. (Press the switch again so that it
pops up.)

Using Batteries

■ Inserting Batteries

Turn the instrument upside-down and remove
the battery compartment lid. Insert six 1.5-volt
size “D” (SUM-1, R-20 or equivalent) batteries as
shown in the illustration, making sure that the
positive and negative terminals are properly
aligned, and replace the lid.

8

Even when the switch is in the “STANDBY” position, electricity
is still flowing to the instrument at the minimum level. When
you are not using the PSR-270 for a long time, make sure you
unplug the AC power adaptor from the wall AC outlet, and/or
remove the batteries from the instrument.

6

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SETTING UP

ACCESSORY JACKS

■ Using Headphones

For private practicing and playing without
disturbing others, connect a set of stereo head­phones to the rear panel PHONES/OUTPUT jack.
Sound from the built-in speaker system is auto­matically cut off when you insert a headphone
plug into this jack.

PHONES/

OUTPUT

■ Connecting a Keyboard Amplifier or Stereo

System

Though the PortaTone is equipped with a built­in speaker system, you can also play it through
an external amplifier/speaker system. First,
make sure the PortaTone and any external
devices are turned off, then connect one end of
a stereo audio cable to the LINE IN or AUX IN
jack(s) of the other device and the other end to
the rear panel PHONES/OUTPUT jack on the
PortaTone.

■ Using a Footswitch

This feature lets you use an optional footswitch
(Yamaha FC4 or FC5) to sustain the sound of the
voices, or control a variety of other functions.
(See page 91.) When this is used for sustain, the
footswitch functions the same way as a damper
pedal on an acoustic piano — press and hold
down the footswitch as you play the keyboard
to sustain the sound.

FOOT SWITCH

• Make sure that the footswitch plug is properly connected to
the FOOT SWITCH jack before turning on the power.

• Do not press the footswitch while turning the power on.
Doing this changes the recognized polarity of the footswitch,
resulting in reversed footswitch operation.

■ Using the MIDI Terminals

The PortaTone also
features MIDI termi-

MIDI instrument

nals, allowing you to
interface the
PortaTone with other
MIDI instruments and
devices. (For more
information, see
pages 20, 93.)

MIDI

IN OUT

PHONES/

OUTPUT

To prevent damage to the speakers, set the volume of the
external devices at the minimum setting before connecting
them. Failure to observe these cautions may result in electric
shock or equipment damage.

Stereo system

9

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Quick Guide — How to

Quick Guide — How to

Use Your New PSR-270

Use Your New PSR-270

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ГГГГГДДДДДДЕЕЕЕЕ

PortaTone

PortaTone

Step 1 Voices

This brief, easy-to-follow section shows you how to
use the basic features and functions of your new
PSR-270 PortaTone. If you’ve never touched an
electronic keyboard before, reading and going
through the steps in this section will make you
familiar with the PortaTone in a very short time. It
will also give you the tools you need to explore the
advanced capabilities of the instrument and use
them effectively in your own music. Good
luck…and enjoy!

VOICE

TEMPO

TRANSPOSE

TUNING

ACMP/SONG

VOLUME

METRONOME

VOLUME

STYLE

MEASURE

GrandPno

001

TEMPO

001 116

Playing the Piano Voice

Portable Grand

z Press the PORTABLE GRAND

button.

METRO-

NOME

The Grand Piano voice is automatically
selected.

x Play the keyboard.

Want to find out more? See page 24.

TOUCH

q

METRO-

ACMP

ON/OFF

SYNC-

START

PRESETUSER

DICTIONARY
SMART

START/

STOP

INTRO/
ENDING

MAINAB

rit.

AUTO FILL

CHORD
GUIDE

EZ

RECORD

OFF

12

45321

SONG TRACK

zx

NOME

6~16

zq

DUALREVERB

HARMONY

Selecting other voices

The PSR-270 features a total of 238 high-quality voices. Let’s try a few of them out…

Panel voices ……….. 1 — 100 (100 voices)

101 — 110 (10 drum kit voices)

GM voices ………….. 111 — 238 (128 voices)

z Enter the Voice mode.

x Select a voice.

c Play the keyboard.

10

VOICE
STYLE

002

BritePno

Want to find out more? See page 27.

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Step1

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

ГГГГГГДДДДД

ЕЕЕЕЕ

Voices

Playing along with the Metronome

q Press the METRONOME button.

METRO-

NOME

Want to find out more? See page 24.

Changing the Metronome Volume

1 Press one of the OVERALL

“MtrVol” is shown in the display.

▲/▼

buttons until

Changing the time signature of the Metronome

q Simultaneously hold down the METRONOME button

and one of the number buttons (1 — 9) on the
numeric keypad.

METRO-

NOME

+

Normally, the Metronome is set to play in 4/4
time. To change this to 2/4, press number button
“2.” To change it to 3/4 time, press number
button “3.”

Want to find out more? See page 25.

Panel Voice List

No. Voice Name

PIANO

001 Grand Piano
002 Bright Piano
003 Honky-tonk Piano
004 Funky Electric Piano
005 DX Electric Piano
006 MIDI Grand Piano
007 CP 80
008 Hyper Electric Piano
009 Bell Electric Piano
010 Harpsichord
011 Clavi
012 Celesta

MALLET

013 Vibraphone
014 Marimba
015 Xylophone
016 Tubular Bells
017 Timpani
018 Steel Drums
019 Music Box

ORGAN

020 Jazz Organ 1
021 Jazz Organ 2
022 Jazz Organ 3

No. Voice Name

023 Full Organ
024 Rock Organ 1
025 Rock Organ 2
026 16’+2′ Organ
027 16’+4′ Organ
028 Church Organ
029 Reed Organ
030 Musette Accordion
031 Traditional Accordion
032 Bandoneon

GUITAR

033 Classical Guitar
034 Folk Guitar
035 12Strings Guitar
036 Jazz Guitar
037 Octave Guitar
038 Clean Guitar
039 Muted Guitar
040 Overdriven Guitar
041 Distortion Guitar

BASS

042 Acoustic Bass
043 Finger Bass
044 Pick Bass
045 Fretless Bass

No. Voice Name

046 Slap Bass
047 Synth Bass
048 Techno Bass
049 Dance Bass

ENSEMBLE

050 Strings
051 Chamber Strings
052 Synth Strings
053 Slow Strings
054 Tremolo Strings
055 Pizzicato Strings
056 Choir
057 Choir Aahs
058 Choir Oohs
059 Synth Choir
060 Orchestra Hit

061 Violin
062 Cello
063 Contrabass
064 Banjo
065 Harp

066 Trumpet
067 Muted Trumpet

STRINGS

BRASS

VOICE

METRONOME

VOLUME

STYLE

MEASURE

001 063

MtrVol

100

TEMPO

2 Press the OVERALL + or — button to raise or lower

the value.

Want to find out more? See page 26.

No. Voice Name

068 Trombone
069 Trombone Section
070 French Horn
071 Tuba
072 Brass Section
073 Synth Brass
074 Jump Brass
075 Techno Brass

REED

076 Soprano Sax
077 Alto Sax
078 Tenor Sax
079 Baritone Sax
080 Oboe
081 English Horn
082 Bassoon
083 Clarinet
084 Harmonica

PIPE

085 Piccolo
086 Flute
087 Pan Flute
088 Recorder
089 Ocarina

No. Voice Name

SYNTH LEAD

090 Square Lead
091 Sawtooth Lead
092 Voice Lead
093 Crystal
094 Brightness
095 Analog Lead

SYNTH PAD

096 Fantasia
097 Bell Pad
098 Xenon Pad
099 Angels
100 Dark Moon

DRUM KITS

101 Standard Kit 1
102 Standard Kit 2
103 Room Kit
104 Rock Kit
105 Electronic Kit
106 Analog Kit
107 Dance Kit
108 Jazz Kit
109 Brush Kit
110 Symphony Kit

11

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Step 2 Auto Accompaniment

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ГГГГГДДДДДДЕЕЕЕЕ

Using the auto accompaniment

The PSR-270 has powerful and easy-to-use auto
accompaniment features. All you have to do is
play chords with your left hand — and the
PortaTone automatically produces appropriate
bass, chord, and rhythm backing for your perfor­mance. Use your right hand to play melodies,
and you’ll sound like an entire band!

z Enter the Style mode.

STYLE

MEASURE TEMPO

001 116

8BtPop1

001

x Select a style.

For a list of styles, see page 13.

STYLE

8BtPop2

002

c Turn the auto accompaniment on.

Accompaniment

section

+

Left hand

Auto accompaniment

Right hand

Melody

(for example, bass + guitar + drums)

v Turn the Sync-Start function on.

ACMP

ON/OFF

SYNC—
START

START/

STOP

INTRO/
ENDING

MAINAB

rit.

AUTO FILL

b Play a chord with your left hand.

For help in learning
how to play chords,
refer to “Using the
Chord Guide function”
on page 14.

Accompaniment

section

n Select a section.

Try playing with the

START/

Intro, Main A/B, and
Ending sections.

STOP

INTRO/
ENDING

MAINAB

rit.

AUTO FILL

12

ACMP

ON/OFF

SYNC-

START/

START

cxzvnm

STOP

ACMP

ON/OFF

INTRO/
ENDING

SYNC­START

MAINAB

rit.

AUTO FILL

START/

INTRO/

STOP

ENDING

TEMPO

TRANSPOSE

TUNING

ACMP/SONG

VOLUME

METRONOME

VOLUME

rit.

VOICE

STYLE

MEASURE

MAINAB

CHORD

AUTO FILL

GUIDE

001

001 116

DICTIONARY
SMART
EZ
OFF

TEMPO

m Stop the auto accompa-

niment.

Want to find out more? See pages 47-61.

GrandPno

TOUCH

PRESETUSER

6~16

RECORD

SONG TRACK

45321

METRO-

NOME

HARMONY

SYNC-
START

START/

STOP

MP
OFF

INTRO/
ENDING

A

rit.

z

x

c

DUALREVERB

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Step 2

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

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EEEEE

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ЕЕЕЕЕ

Auto Accompaniment

Selecting a complete music style with ideal voice and other
settings — One Touch Setting

The PortaTone features 100 different styles in various music genres. With the One Touch Setting
function, you can call up voice and other settings that best match the selected style. Each style has
been programmed with two Preset One Touch Settings.

z Enter the Style mode.

x Select a style.

For a list of styles, see below.

STYLE

Style List

No. Style Name

8BEAT

1 8Beat Pop 1
2 8Beat Pop 2
3 8Beat Uptempo
4 8Beat Standard
5 Folkrock
6 Pop Rock
7 8Beat Medium
8 8Beat Ballad
9 Epic Ballad
10 Piano Ballad

16BEAT

11 16Beat Shuffle 1
12 16Beat Shuffle 2
13 16Beat Pop
14 Funk 1
15 16Beat Ballad 1
16 16Beat Ballad 2
17 Soul Ballad

6/8 BALLAD

18 Slow Rock 1
19 Slow Rock 2
20 6/8 Ballad

8BtPop2

002

STYLE

MEASURE TEMPO

001 116

No. Style Name

DANCE

21 Dance Pop 1
22 Dance Pop 2
23 Techno
24 Eurobeat
25 Euro House
26 Hip Hop
27 Synth Boogie

DISCO

28 70s Disco
29 Disco Tropical
30 Polka Pop

ROCK

31 8Beat Rock Ballad
32 16Beat Rock Ballad
33 Hard Rock
34 Rock Shuffle
35 6/8 Heavy Rock
36 US Rock

ROCK & ROLL

37 Rock & Roll 1
38 Rock & Roll 2
39 Boogie
40 Twist

8BtPop1

001

c Press one of the One Touch Setting

buttons: Preset A or B.

v Play the keyboard.

No. Style Name

RHYTHM & BLUES

41 R&B
42 Funk 2
43 Soul
44 Gospel Shuffle
45 6/8 Gospel
46 4/4 Blues

CONTEMPORARY JAZZ

47 Cool Jazz
48 Jazz Ballad
49 Jazz Waltz
50 Fusion

TRADITIONAL JAZZ

51 Swing
52 Big Band Swing
53 Big Band Ballad
54 Jazz Quartet
55 Dixieland

AMERICAS

56 Cajun
57 Banda
58 Mariachi
59 Tejano
60 Cumbia

Want to find out more? See page 74.

No. Style Name

COUNTRY & WESTERN

61 Bluegrass
62 Country 2/4
63 Country Rock
64 Country Ballad
65 Country Shuffle
66 Country Waltz

BALLROOM LATIN

67 Cha Cha
68 Rhumba
69 Pasodoble
70 Tango Continental

BALLROOM STANDARD

71 Foxtrot
72 Jive

MARCH & WALTZ

73 March 1
74 March 2
75 6/8 March
76 Polka
77 Standard Waltz
78 German Waltz
79 Viennese Waltz
80 Musette Waltz

PRESETUSER

No. Style Name

LATIN

81 Bossa Nova 1
82 Bossa Nova 2
83 Salsa
84 Samba
85 Mambo
86 Beguine
87 Merengue
88 Bolero Lento

CARIBBEAN

89 Reggae 12
90 Pop Reggae

PIANIST

91 Rock-A-Ballad
92 8Beat
93 Swing
94 Jazz Ballad
95 2Beat
96 Boogie
97 Ragtime
98 Arpeggio
99 Waltz
100 Happy

13

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Step 3 Chord Guide

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Using the Chord Guide function

Learning how to play specific chords

M7

Example:

GM

7

Root note Chord type

Here, you’ll learn how to use the Chord Guide functions to show
the individual notes of chords.

z Enter the Style mode, then press the

CHORD GUIDE button until “Dict.” is

c Specify the chord type of the chord.

CHORD TYPE

shown in the display.

CHORD

GUIDE

DICTIONAR

SMART

EZ

OFF

STYLE

MEASURE TEMPO

001 116

ACMP ON

Dict.

v Play the notes of the chord as indicated

in the keyboard diagram in the display.

x Specify the root note of the chord.

ROOT

The PortaTone also lets you easily create appropriate chords for a given scale by simply playing single
notes in the scale.

G

STYLE

Dict.

ACMP ON

The notes in the keyboard diagram flash
when the chord is played properly.

Playing appropriate chords with just one finger

Want to find out more? See page 62.

14

z Enter the Style mode, then press the

CHORD GUIDE button until “Smart” is
shown in the display.

CHORD

GUIDE

DICTIONAR
SMART
EZ
OFF

STYLE

MEASURE TEMPO

001 116

Smart

ACMP ON

x Set the key to match that of the song you

wish to play.
Enter the number of sharps or flats of the
corresponding key.

STYLE

15

b=1

c Start the auto accompaniment.

SYNC-

START/

F

START

STOP

INTRO/
ENDING

A

rit.

v Play single note chords (root note) on the

keyboard.

To play these

chords….

…..press these

keys (root notes)

F Dm Gm Dm

Want to find out more? See page 64.

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Step 3

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

CCCCCCDDDDD

EEEEE





ГГГГГГДДДДД

ЕЕЕЕЕ

Chord Guide

Playing chord progressions (songs) with just one finger

The EZ Chord function gives you an exceptionally easy way to play the chords of a song. Simply press
single keys in succession, and the PortaTone automatically plays the proper chords for you!

q Enter the Style mode, then press the

CHORD GUIDE button until “EZ. is shown
in the display.

CHORD

GUIDE

DICTIONAR
SMART
EZ
OFF

STYLE

001 116

ACMP ON

1

TEMPO

EZ

w Select an EZ Chord bank.

STYLE

EZ

2

e Start the auto accompaniment.

SYNC-

START/

F

START

STOP

Press and release a single note on the key-

r

board to play a chord.

INTRO/
ENDING

A

rit.

Continue pressing the same key each
time you want a new chord to be played.

Accompaniment

section

t Play the melody with your right hand as

the auto accompaniment plays.

Want to find out more? See page 66.

Recording your own EZ Chord banks

You can also create your own custom chord
progressions, and play along with those if you
like.

Want to find out more? See page 68.

VOICE

STYLE

GrandPno

001

MEASURE

TEMPO

001 116

DICTIONARY
SMART

CHORD
GUIDE

EZ

RECORD

OFF

MAINAB

AUTO FILL

Keys for playing the accompaniment

(C1 — F#2)

45321

SONG TRACK

TOUCH

METRO-

PRESETUSER

NOME

6~16

DUALREVERB

HARMONY

xwzzq

Keys for entering the chord type

(C3 — B4)

Use these keys for the Chord Guide Dictionary function.

Keys for entering the chord root
(C5 — B5)

ACMP

ON/OFF

SYNC­START

ce

START/

STOP

INTRO/
ENDING

TEMPO

TRANSPOSE

TUNING

ACMP/SONG

VOLUME

METRONOME

VOLUME

rit.

15

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Step 4 Songs

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ГГГГГДДДДДДЕЕЕЕЕ

Playing a song

Playing back all three songs

The PSR-270 has three Demo songs that show­case the authentic voices and dynamic accom­paniment of the instrument.

z Press the DEMO button.

TakeOff!

ALL

SONG

MEASURE TEMPO

001 111

1 62 3 4 5

x Stop the song.

or

ACMP

ON/OFF

SYNC­START

START/

STOP

INTRO/
ENDING

MAINAB

rit.

AUTO FILL

Playing back a single song

Naturally, you can also individually select and
play back any of the PortaTone’s songs.

z Enter the song mode.

x Select a song.

c Start (and stop) the song.

ACMP

ON/OFF

SYNC­START

START/

STOP

INTRO/
ENDING

MAINAB

rit.

AUTO FILL

Want to find out more? See page 75.

Changing the tempo (speed) of the song

q Press one of the OVERALL

“Tempo” is shown in the display.

TEMPO

▲/▼

buttons until

100

SONG

MEASURE TEMPO

001 100

1 62 3 4 5

Tempo

w Press the OVERALL + or — button to speed up or

slow down the tempo.

Want to find out more? See page 76.

Want to find out more? See page 75.

Changing the volume of the song

q Press one of the OVERALL

“SongVol” is shown in the display.

ACMP/SONG

VOLUME

▲/▼

buttons until

100

SONG

MEASURE TEMPO

001 120

1 62 3 4 5

SongVol

w Press the OVERALL + or — button to raise or lower

the volume of the song.

Want to find out more? See page 78.

16

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Step 4

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CCCCCCDDDDD

EEEEE

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

ГГГГГГДДДДД

ЕЕЕЕЕ

Songs

Recording your own song

The PSR-270 lets you record your own songs by using two different methods — Realtime and Step. Try
out both of these recording methods yourself…

1 Select the desired

recording mode by
pressing the RECORD
button.

RECORD

Realtime recording Step recording

This method is much like using a
conventional tape recorder, letting
you play and record the parts of
the song in real time.

This method is similar to using a
pencil and paper to write down each
note, entering the parts of the song
step by step.

Want to find out more? See pages 79-90.

q
w

ACMP

ON/OFF

SYNC­START

START/

STOP

INTRO/
ENDING

TEMPO

TRANSPOSE

TUNING

ACMP/SONG

VOLUME

METRONOME

VOLUME

rit.

VOICE

STYLE

MEASURE

MAINAB

CHORD

AUTO FILL

GUIDE

GrandPno

001

TEMPO

001 116

DICTIONARY
SMART
EZ

RECORD

OFF

wt

1

rzx c

45321

SONG TRACK

TOUCH

METRO-

PRESETUSER

6~16

Creating your own custom One Touch Settings

NOME

A

e
x

z

B

DUALREVERB

HARMONY

You can also create your own One Touch Settings — letting you completely reconfigure virtually all
PortaTone settings at the touch of a button! Up to 16 settings can be saved (4 User banks x 4 User
buttons).

q Make all desired settings on the PortaTone.
w Select the User One Touch Setting

t Turn off the User One Touch Setting record

mode.

record mode.

Calling up a User One Touch Setting

STYLE

RECORD

OTS User

1

RECORD

A Select Function #41, and select the desired bank

(1 — 4).

e Select the desired User

bank (1 — 4).

STYLE

UserBank

2

r Select the desired User

button (USER 1 — 4).

STYLE

FUNCTION

B Press the appropriate USER button (1 — 4) to

instantly call up your custom panel settings.

PRESETUSER

UserBank

F41

PRESETUSER

Want to find out more? See page 72.

17

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Step 5 Function Parameters

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Using the Function parameters

The PSR-270 has a variety of settings in the Function parameters.
These give you detailed control over many of the PSR-270’s features.

z Press the FUNCTION button.

x Select a Function number.

For a list of functions, see page 19.

STYLE

FUNCTION

The Function number can be selected
while the “FUNCTION” indication is
flashing.

Enter the Function
number on the
numeric keypad.

M.Octave

F02

Press the FUNCTION button;
each press advances through
the numbers. Hold down the
button to continuously
advance through the numbers.

c After “FUNCTION” in the display stops

flashing, change the value or setting.

After a couple of seconds, the “FUNCTION”
indication stops flashing and remains lit. At
the same time, the Function number (“F02”
in the example above) changes automatically
to the current value of the Function param­eter.

STYLE

FUNCTION

Current value of the selected Function
parameter.

M.Octave

0

v Use the numeric keypad to change the

value or setting. For on/off settings, use
the +/- buttons.

18

ACMP

ON/OFF

SYNC­START

START/

STOP

INTRO/
ENDING

VOICE

MAINAB

AUTO FILL

MEASURE

CHORD
GUIDE

STYLE

001

001 116

DICTIONARY
SMART
EZ
OFF

GrandPno

TEMPO

RECORD

TEMPO

TRANSPOSE

TUNING

ACMP/SONG

VOLUME

METRONOME

VOLUME

rit.

z x v

45321

SONG TRACK

Want to find out more? See page 30.

TOUCH

METRO-

PRESETUSER

NOME

6~16

DUALREVERB

HARMONY

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Step 5

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ЕЕЕЕЕ

Function Parameters

Function Parameters List

Function

page

F01 M.Volume Main Voice Volume 31

F02 M.Octave Main Voice Octave 31

F03 M.Pan Main Voice Pan 31

F04 M.RevLvl Main Voice Reverb Send Level 31

F05 M.ChoLvl Main Voice Chorus Send Level 31

F06 M.DspLvl Main Voice DSP Effect Send Level 31

F11 D.Volume Dual Voice Volume 35

F12 D.Octave Dual Voice Octave 35

F13 D.Pan Dual Voice Pan 35

F14 D.RevLvl Dual Voice Reverb Send Level 35

F15 D.ChoLvl Dual Voice Chorus Send Level 35

F16 D.DspLvl Dual Voice DSP Effect Send Level 35

F17 D.Voice Dual Voice 35

Function

page

F31 Reverb Reverb On/Off 44

F32 RevType Reverb Type 44

F33 Chorus Chorus On/Off 44

F34 ChoType Chorus Type 44

F35 Dsp DSP On/Off 44

F36 DspType DSP Type 44

F37 Harmony Harmony On/Off 44

F38 HarmType Harmony Type 44

F39 HarmVol Harmony Volume 44

F41 UserBank One Touch Setting User Bank 73

F51 AcmpSPnt Accompaniment Split Point 59

F61 USng1Clr User Song 1 Clear 90

F62 USng2Clr User Song 2 Clear 90

F18 Dual Dual On/Off 35

F21 S.Volume Split Voice Volume 37

F22 S.Octave Split Voice Octave 37

F23 S.Pan Split Voice Pan 37

F24 S.RevLvl Split Voice Reverb Send Level 37

F25 S.ChoLvl Split Voice Chorus Send Level 37

F26 S.DspLvl Split Voice DSP Effect Send Level 37

F27 S.Voice Split Voice 37

F28 Split Split On/Off 37

F29 SplitPnt Split Point 37

F63 USng3Clr User Song 3 Clear 90

F71 FootSw Footswitch 92

F72 VoiceSet Voice Set 39

F73 TouchSns Touch Sensitivity 39

F81 RemoteCh Remote Channel 97

F82 KbdOut Keyboard Out 97

F83 AcmpOut Accompaniment Out 97

F84 Local Local On/Off 97

F85 ExtClock External Clock 98

F86 BulkSend Bulk Data Send 98,99

F87 InitSend Initial Data Send

98,102

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Step 6 MIDI

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Using MIDI

The PSR-270 also features rear panel MIDI terminals (MIDI IN and MIDI OUT) as well as a
comprehensive set of MIDI functions, that let you use the instrument in a variety of record­ing and performance applications.

● Sending original song and One Touch Setting data to another PSR-270.

MIDI transmit

PSR-270 PSR-270

MIDI INMIDI OUT

MIDI receive

MIDI OUTMIDI IN

➔ See “Using Bulk Dump Send to Save Data“ on pages 99 — 102.

● Using the MDF3 MIDI Data Filer to store and recall original PSR-270 data.

MIDI transmit

PSR-270

MIDI receive

Save/load data

MIDI INMIDI OUT

MIDI OUTMIDI IN

MDF3

➔ See “Using Bulk Dump Send to Save Data“ on pages 99 — 102.

● Playing back multi-track song data (up to 16 channels) on the PSR-270.

20

Set Remote Channel (page 97) to “off.”

PSR-270

➔ See page 97.

MIDI receive

MIDI OUTMIDI IN

MDF3, QY700,
or computer
with sequencing
software.

Available disks

Floppy disk with GM
song data.

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Step 6

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ЕЕЕЕЕ

MIDI

● Controlling the PSR-270 with a MIDI keyboard controller (not having a tone generator)

(Auto accompaniment can also be used in this setup.)

MIDI receive

PSR-270

MIDI OUTMIDI IN

MIDI keyboard with no tone

generator

➔ See page 97.

● In this setup you can record your PSR-270 performance, including the auto accompani-

ment, to a connected computer or sequencer. (Up to 16 channels can be used.) You can
then edit the recorded data on the computer or sequencer, and play it back using the
sounds of the PSR-270.

Arrange and edit the data on the
computer/sequencer.

MIDI transmit

MIDI INMIDI OUT

PSR-270

MIDI OUTMIDI IN

MIDI receive

(playback)

Computer with
sequencing software.

➔ See page 95.
➔ See “Using Initial Setup Send with a Sequencer” on page 102.

When using a personal
computer, special
software (sequencer
software) is needed.

GM System Level 1

“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-

compatible music data can be accurately played by any GM-compatible tone generator,

regardless of manufacturer. The GM mark is affixed to all software and hardware products

that support GM System Level 1. The PSR-270 supports GM System Level 1.

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PANEL DISPLAY INDICATIONS

The PortaTone features a large multi-function display that shows all important
settings for the instrument. The section below briefly explains the various icons
and indications in the display.

The LCD’s backlight will gradually dim over a long period of use. When the display becomes dim or hard to read, contact the store
where you purchased the instrument or, Yamaha directly, to have the LCD replaced. A fee will be charged for replacement.

쐃 Mode indicators

쐇 Overall functions bar indicator

쐅 Accompaniment On indicator

TEMPO

TRANSPOSE

TUNING

ACMP/SONG

VOLUME

METRONOME

VOLUME

쐏 Keyboard

쐃 Mode indicators

These indicate the currently selected mode —
Voice, Style, Song, or Function — with the mode
name encircled in a rounded rectangle. When
“STYLE” or “SONG” appear without the rect­angle, the corresponding mode is active in the
background.

In the first example, the Style mode is selected.

STYLE

VOICE
STYLE

001

ACMP ON

MEASURE TEMPO

001 116

1 CHORD2 3

쐄 Measure and

Tempo

쐈 Song track indicators

0

In the second example, the Voice mode has
been selected, but the Style mode is still active
in the background. (This means that the style
controls are active and can be used to play the
currently selected style.)

쐊 Song/Voice/Style name and number

GrandPno

쐋 Notation

쐇 Overall functions bar indicator

The PortaTone has five Overall functions or
controls. The currently selected function is
indicated by a dark bar that appears next to its
name (printed on the panel).

쐋 Notation
쐏 Keyboard

These two portions of the display conveniently
indicate notes. When a user song (with chords)
is being played back, they show the chord notes
in succession. When the Style mode and auto
accompaniment are active, the display also
shows the specific notes of the current chord.

For a few specific chords, not all notes may be shown in the
notation section of the display. This is due to space limitations
in the display.

쐂 Beat indicators

쐆 Chord

쐎 Icon window

22

VOICE
STYLE

0

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PANEL DISPLAY INDICATIONS

쐄 Measure and Tempo

These show the current measure during play­back of a song or style, and the currently set
Tempo value for the song or style.

쐂 Beat indicators

These dark bars (one large, three small) flash in
sequence and in time with the song or style.
The large bar indicates the first beat of the
measure. (See page 77.)

쐆 Chord

When a user song (with chords) is being played
back, this indicates the current chord root and
type. It also indicates chords played in the
ACMP section of the keyboard when the Style
mode and auto accompaniment are on.

쐊 Song/Voice/Style name and number

This portion of the display indicates the name
and number of the currently selected song,
voice, or style. It also displays the name and
current value or setting of the Overall functions
and the Function parameters, as well as other
important operation messages.

쐎 Icon window

Depending on the mode or function selected,
this displays various symbols (icons) and other
messages to provide convenient, at-a-glance
information about the PortaTone operation. For
example, when a song or style accompaniment
is playing, this displays the level of each instru­mental track.

쐅 Accompaniment On indicator

This appears when the auto accompaniment has
been turned on. (See page 52.)

쐈 Song track indicators

In song recording and playback, these indicate
the status of the tracks. (See pages 75, 83.)

Music Stand

Insert the bottom edge of the included music stand into
the slot located at the top rear of the PortaTone control
panel.

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PORTABLE GRAND

This convenient function lets you automatically exit from any
other mode or function and instantly call up the Grand Piano
voice.

PLAYI NG THE PORTABLE GRAND

Press the PORTABLE GRAND button.

METRO-

NOME

Doing this automatically cancels any other mode or function, and resets
the entire instrument for playing the special “Stereo Sampled Piano” Grand
Piano voice (voice 001). It automatically selects the Voice mode (with the
Style mode active), and calls up style #91 (Rock Ballad). It also resets the
footswitch to Sustain operation.

The Portable Grand setting is designed also for playing with the special
Pianist styles (#91 — #100). When auto accompaniment is turned on, these
provide piano-only accompaniment in a variety of music styles. (See page

52.)

USING THE METRONOME

1 Set the desired tempo with the Tempo function in

the Overall menu.

Press one of the OVERALL ▲/▼ buttons, repeatedly if necessary, until
“Tempo” appears in the display.

Indicates Tempo is
selected

TEMPO

VOICE

STYLE

Current Tempo value

116

Tempo

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PORTABLE GRAN D

2 Change the value.

Use the OVERALL +/- buttons to increase or decrease the Tempo value.
Holding down either button continuously increases or decreases the value.

Increases Tempo
value

Decreases Tempo
value

3 Turn on the Metronome.

Press the METRONOME button.

METRO-

NOME

TEMPO

3 063

To turn the Metronome off, press the METRONOME button again.

The numeric keypad cannot
be used to change values
for the Overall menu
settings.

TEMPO

3 063

Setting the Metronome Time Signature

The time signature of the Metronome can be set to
various quarter-note based meters.

The time signature changes automatically when a style or
song is selected.

Simultaneously hold down the METRONOME
button and press the button on the numeric
keypad that corresponds to the desired time
signature (see chart at right).

Number Time
button signature

1 1/4 — Plays only “1” beats (all high clicks)
2 2/4
3 3/4
4 4/4
5 5/4
6 6/4
7 7/4
8 8/4
9 9/4
0 Plays no “1” beats (all low clicks)

TEMPO

3 063

Indicates current beat
number

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PORTABLE GRAN D

Adjusting the Metronome Volume

You can adjust the volume of the Metronome sound independently of the other
PortaTone sounds. The volume range is 000 — 127.

1 Select the Metronome Volume function in the Overall menu.

Press one of the OVERALL ▲/▼ buttons, repeatedly if necessary, until “MtrVol” appears
in the display.

Current Metronome
Volume value

VOICE
STYLE

MtrVol

100

METRONOME

VOLUME

MEASURE

TEMPO

001 063

Indicates Metronome Volume
is selected

2 Change the value.

Use the OVERALL +/- buttons to increase or decrease the Metronome Volume value.
Holding down either button continuously increases or decreases the value.

Increases Metronome
Volume value

Decreases Metronome
Volume value

Restoring the Default
Metronome Volume
Value
To restore the default
Metronome Volume
value (100), press both
OVERALL +/- buttons
simultaneously (when
Metronome Volume is
selected in the Overall
menu).

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PLAYING VOICES — THE VOICE MODE

The Voice mode features 228 authentic voices (including 128 General MIDI
voices), plus 10 special drum kits — all of which have been created with
Yamaha’s sophisticated AWM (Advanced Wave Memory) tone generation system.
The Voice mode gives you many powerful and versatile tools for playing and
enhancing these Voices.

The voices are divided into various instrument
categories, all of which are printed on the panel
for convenience. For a complete list of the
available voices, see page 109.

The Voice mode is actually divided into three
separate modes: Main, Dual and Split. In the
Main Voice mode (see below), you can play a
single voice over the entire range of the key­board. The Dual Voice mode (page 34) allows
you to “layer” two different voices together for
rich, complex sounds. The Split Voice mode
(page 36) lets you set up two different voices for
playing from separate sections of the keyboard.
Moreover, each mode features special effect
sections that let you enhance the sound of the
Voice or Voices. These include Reverb, Chorus,

and Harmony, as well as a “DSP” section that
provides miscellaneous effects such as tremolo,
echo, delay, distortion, equalization, and wah.
(See page 40.)
Other voice-related functions include Voice Set
(page 38), which lets you automatically call up
the ideal settings for each voice, and Touch
Sensitivity (page 38), which determines how the
voices respond to your playing technique.

The PortaTone includes special Drum Kit voices
— #101 — #110 — that let you play various drum
and percussion sounds from the keyboard.
(Refer to the Drum Kit Voice chart on page 30.)
Symbols are also printed above the keyboard,
conveniently indicating which sounds are played
from which keys.

PLAYING A VOICE — MAIN VOICE

1 Select the Voice mode.

Press the VOICE button.

Indicates Voice mode is selected

VOICE

STYLE

001

GrandPno

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PLAYIN G VOICES — THE VO ICE MODE

2 Select the desired voice number.

Use the numeric keypad. The basic categories of voices and their numbers
are shown at the right side of the panel. A complete list of the available
voices is given on page 109.

PIANO

CHROMA TIC

ORGAN

GUITAR

BASS

STRINGS

ENSEMBLE

BRASS

REED

PIPE

SYNTH LEAD

SYNTH PAD

BASS

ENSEMBLE

STRINGS

BRASS

REED

PIPE

SYNTH LEAD

SYNTH PAD

DRUM KITS

PIANO

MALLET

ORGAN

GUITAR

SYNTH EFFECTS

ETHNIC

PERCUSSIVE

SOUND EFFECTS

There are three ways to select voices: 1) directly entering the voice number
with the numeric keypad, 2) using the +/- keys to step up and down
through the voices, or 3) pressing the VOICE button to advance through
the voice numbers.

Using the numeric keypad

Enter the digits of the voice number as indicated on the panel. For ex­ample, to select voice #42, press “4” on the numeric keypad, then “2.”

All two-digit voice numbers
can be selected without
entering an initial “0.”
However, when selecting
voice numbers 1 — 23, the
PortaTone pauses briefly
before actually calling up
the voice. (This pause
allows for entering three­digit voice numbers, such as
“235.” Entering the
numbers “2” then “4”
immediately calls up voice
#24, since there are no
voices #240 or higher.)

28

VOICE
STYLE

042

ACMP ON

Aco.Bass

If you want to immediately
call up voices #1 — #23,
enter one or two zeros
before the number; for
example, select voice #9 by
pressing “0,” “0,” then
“9.” Pressing only “0” does
not change the voice.

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PLAYIN G VOICES — THE VO ICE MODE

Using the +/- keys

Press the + key to select the next voice number, and press the — key to
select the previous voice. Holding down either key continuously scrolls up
or down through the numbers. The +/- keys have a “wrap around” fea­ture. For example, pressing the + key from voice #238 returns to voice #1.

Using the VOICE button

Press the VOICE button to select the next voice number. (This functions
exactly the same as the + button.)

3 Play the selected voice.

To change to another voice, repeat step 2 above.

Since either the Style or Song mode is active in the background (as indi­cated by the mode name in the display, without the rectangle), you can
also play styles or songs, respectively, in the Voice mode by simply pressing
the START/STOP button. The last selected style or song will be played.

Each voice is automatically
called up with the most
suitable octave range
setting. Thus, playing
middle C with one voice
may sound higher or lower
than another voice at the
same key.

When you select a voice, the
PortaTone also automati­cally calls up various
settings that are appropri­ate for the voice. [This is
true when Voice Set
(Function #72, page 39) is
set to on — the default
setting.]

About Panel Voices and GM Voices

Keep in mind that the PortaTone has two separate sets of voices:
100 Panel voices and 128 GM (General MIDI) Voices. The GM
Voices can also be used for optimum playback of GM-compatible
song data. This means that any GM song data (played from a sequencer or other
MIDI device) will sound just as the composer or programmer intended.
When a GM voice is selected, the General MIDI icon appears at the top left of the
display.

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PLAYIN G VOICES — THE VO ICE MODE

Drum Kit Voice Chart (voices 101 — 110)

When one of the 10 panel Drum Kit voices are selected you can
play different drums and percussion instruments on the keyboard.
The drums and percussion instruments played by the various keys
are marked by symbols above the keys.

VOICE

STYLE

101

Std.Kit1

No. Name LCD
101 Standard Kit 1 Std.Kit1
102 Standard Kit 2 Std.Kit2
103 Room Kit Room Kit
104 Rock Kit Rock Kit
105 Electronic Kit Elct.Kit
106 Analog Kit AnlogKit
107 Dance Kit DanceKit
108 Jazz Kit Jazz Kit
109 Brush Kit BrushKit
110 Symphony Kit SymphKit

Function Parameters — Main Voice

The Function parameters provide additional settings for the Main
voice. These settings are especially useful when using a second voice
in the Dual or Split modes, since they let you change or enhance the
sound of the Main voice separate from the Dual or Split voice. These
settings include:

• Volume

• Octave

• Pan

• Reverb Send Level

• Chorus Send Level

• DSP Effect Send Level

1 Select the Function mode.

Press the FUNCTION button.

Flashes to indicate Function
parameter can be selected.

STYLE

FUNCTION

MEASURE TEMPO

F01

001 116

M.Volume

2 Select the desired Function parameter number.

While the “FUNCTION” indication is flashing, use the numeric key­pad to select the desired Main Voice Function parameter number (1 —

6). (See the “Parameters” list below for details.)

Function parameter numbers can be selected in the same way as with
the voices (see page 28). You can use the numeric keypad to directly
enter the number, use the +/- keys to step up and down through the
parameters, or press the FUNCTION button to advance through the
parameter numbers.

Since the “FUNCTION”
indication flashes for only a
couple of seconds, make
sure to select the parameter
quickly after step 1 above.

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